fix: replace the traced infinity mark with the real artwork; add §4 Offerings
Q32 — the traced mark was a WRONG SHAPE and had shipped. Pouya compared it against the master and rejected it. Two grounds reproduce from the path and are verified here: all four cubic branches meet the origin at exactly 90 degrees, so the loops are tangent rather than crossing and at stroke-width 28 render as two kissing circles (signed crossing number 0; the strokes fuse across 61% of the mark's height at 2rem); and the master's ink bbox is 2668x1704 = 1.5657:1. The path is deleted, not kept as a fallback. Pouya's 1.23:1 figure is reconciled rather than left dangling: it is the bounding box of the path's COORDINATES, not the curve. Control points sit at y +/-160 where the curve reaches +/-120, so the hull is 400x320 and with stroke 428x348 = 1.2299. A trap rather than a slip — x is monotone, so the control points give the right width and a 33% inflated height, and the "does the width look right" check passes. The real artwork is now in the repo: master, tight crop (the render source, so the file's aspect ratio IS the mark's), full lockup, and the SVG. InfinityMark renders AVIF/WebP; a Retina device takes 3,063 B. Favicons regenerated; favicon.svg deleted. Q33/Q36 — Pouya accepts arbitration appointments now. §4 gains an Offerings category: competence for an offering, permission for a credential, with an explicit boundary so it cannot become a route around D13. The masthead tagline is restored, and the footer designation strip now carries "Q.Arb — commenced August 2026" so §4's paired-disclosure condition is actually met on every page rather than only asserted. Two conventions added to CLAUDE.md, both earned this session: anything a spec makes a claim about must be reachable from the repo (R14 — the traced mark survived two review passes because the artwork was not here to compare against); and a command that did not run is not evidence of absence (`timeout` is not installed on macOS, so four Drive reads never executed and were reported as an empty directory). Reviews: claims-auditor FAIL/13 and adversarial-reviewer 2 blocking, all resolved. The severe one was self-inflicted — `flex: none` landed on the <img> while <Picture>'s <picture> wrapper is the flex item, so the logo compressed to 28.5x32 at 1024px with seven nav items. The page-level overflow check passed throughout because the brand block absorbed the deficit by crushing the mark. Harness now asserts rendered aspect ratio. Opened: Q38, Q39. Closed: Q32, Q33, Q36. Narrowed: Q35. Added: R13, R14. AGENTS.md entry (v) carries a RESUME HERE section. Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_012XquaEq4BgWMCwUqLEyNkF
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@@ -1,17 +0,0 @@
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<svg xmlns="http://www.w3.org/2000/svg" viewBox="-232 -232 464 464">
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<!-- The SML infinity mark. Geometry and colours match
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src/components/InfinityMark.astro — see the provenance note there.
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Kept as its own file rather than imported: the browser requests a favicon
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at a fixed path before any stylesheet resolves.
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SQUARE viewBox, deliberately. The mark is 11:7; browsers render an SVG
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favicon into a square slot with xMidYMid meet, so an 11:7 viewBox
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letterboxes — the cream ground becomes a floating stripe with transparent
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bars above and below, which on a dark tab strip reads as a graphical
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artefact rather than a logo. The square ground fills the slot. -->
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<rect x="-232" y="-232" width="464" height="464" fill="#faf7f2"/>
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<g fill="none" stroke-linecap="round" stroke-linejoin="round">
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<path d="M -200 0 C -200 -160, 0 -160, 0 0 C 0 160, 200 160, 200 0 C 200 -160, 0 -160, 0 0 C 0 160, -200 160, -200 0 Z" stroke="#5a1a1c" stroke-width="34"/>
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<path d="M -200 0 C -200 -160, 0 -160, 0 0 C 0 160, 200 160, 200 0 C 200 -160, 0 -160, 0 0 C 0 160, -200 160, -200 0 Z" stroke="#c9a876" stroke-width="7" opacity="0.7"/>
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</g>
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</svg>
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